Skip to main content

When Spaces Converse

A recent column by Shanta Gokhale in the Mumbai Mirror encouraged me to write this blog about the meanings conveyed through spaces. In her column Ms. Gokhale laments the lack of substance in the current outcrop of tall buildings and spaces in Mumbai. Giving the example of Kohinoor Square, she says, “A dumb tower is just as meaningless, visually, as the towers of babel that dot the city …”.

Spaces are like people; they can be interesting as well as boring, humble, arrogant, simple, flamboyant, reticent, gregarious …. Charles Moore rightly put it by saying, “Place is the projection of the image of civilization onto the environment.” And David Harvey emphasizes the importance of thinking about cities in terms of social processes rather than just things. A Place is merely a physical manifestation of the social processes that take place there. We have to understand the social processes (and political, and economic, as well) that have created (or destroyed) our cities.

In that sense, are not our cities a telling tale of the society we are? Coming back to the personification on spaces; a person infused with character, becomes humane, as a space infused with character, becomes a place. Each place, within the city has a unique story to tell, and the work of an architect and urban designer is almost like an archaeologist, to reveal these stories through spatial organization, built forms and materials. A space and architecture treated thus, starts conversing with the citizens. As Churchill said, “First we shape our buildings, then our buildings shape us”, a humane space will create a humane society!


But the catch-22 situation is, that only a humane society (the social processes) is capable of creating a humane space, which will nurture a humane society. So where do we start? I suggest we start from the letter “I”.

Comments

Popular posts from this blog

Architecture for the Poor - Hassan Fathy

Hassan Fathy was a remarkable man: artist, antiquarian and social reformer to the world's poor. He was slightly built and enveloped by an air of virtuousness, projecting the intellectual vigour, tranquillity and inner calm reserved for the elect. These qualities, accompanied by a twinkle in his eye and a willingness to listen, made him a favourite of students, who responded to him with warmth and humour, and vied for his attention. Fathy's architectural and social ideas were based at first upon his colonial education, and only later moulded by a deep knowledge of his country's long history and in particular its architecture, which had often been controlled by mathematics and mystical geometries. Six general principles guided him throughout his career: the primacy of human values in architecture; the importance of a universal approach; the use of appropriate technology; the need for socially oriented, co-operative construction techniques; the essential role of tradition; and

Low Cost Housing in Sri Lanka

Currently I am involved in a project, with Hidaya Foundation , for designing and constructing low-cost housing for the victims of the tsunami in the Indian Ocean. As a non-profit organization founded in 1999, Hidaya Foundation has undertaken a mission to implement educational, social welfare, and charitable projects in economically depressed areas of Pakistan, India, Bangladesh, USA and Canada. The project involves designing, training and construction of houses for widows and orphans in the regions affected by the disaster. The idea is not only to build structures, but to build communities that are self-sufficient and sustainable. The main principles will be: 1. Use of local materials 2. Use of local labor 3. Training of locals in sustainable building technologies 4. Constructing communities that the people living there can associate themselves with 5. Managing within a very low budget The idea is to involve dedicated and willing volunteers who will learn the technology and train the l